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The Documentary Handbook
The undisputed art of filmmakers such a Jennings, Watt, and Rotha helped elevate the documentary from to a podium where purist like to encase it in a fomalist shroud. Early television documentarists laboured under a uniform conception of their craft, in a tradition seamlessly transmitted from Grierson and Reith to Wheldon and Attenborough.
In today's fragmented marketplace, even the major terrestrial channels cannot take their udiences for granted and can no longer produce "must-see" television for all the family, such as the legendary Christmas Morecambe and Wise Sho, which used to attract over 20 nmillion viewers in the 1970s.
Whereas most film drama plays out in front of the camera, much televisual non-fiction adopts the full frontal approach of addressing the camera directly. The ephitet "non-fiction' is a hostage to fortune herever its broad brush stroke is applied, from written biographies that speculate about the subject's feelings and moivations to films that pretend to deliver unmediated truth.
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